Showing posts with label process. Show all posts
Showing posts with label process. Show all posts

Saturday, October 18, 2014

New Shapes, Late night gesture


That is a picture of Double standing on a pile of bricks in our yard, uploaded by mistake but hey, he's the most photogenic dog I've ever met, so have a look.
Stayed up very late a couple of nights ago blocking in two more piece for the Cameron House, I would like to have a dozen to choose from - I'll have finished fourteen but I know they won't all make the cut to be hung. Right before bed I started slashing around some shapes to music and got to this point, I really like the foundation for this piece, we'll see what happens.
 

Thursday, October 16, 2014

Details from Abstracts





Here are some detail shots of the abstract pieces, the show is called, "Satellite Pacific" and will be hung at the Cameron House on the first of November, the closing reception will be either the 22nd or 29th from 4-7pm with music by Colonel Tom Parker and the American Pour.
It has been a surprise from Day One working on these pieces and continues to be a surprise as I  approach the hang date, when I decided to create some abstract work I had no idea what colour palette I would use or what form the paintings would take, it has been a constant series of revelations, discoveries and setbacks, seven of the pieces have really come together and look great, five are unfinished but are now "telling me what to do" to finish them and two are still kind of confusing to me.
A.Shay Hahn

Thursday, March 27, 2014

Announcements or Waiting to Announce Announcements

I'm trying to figure out how many hours of the day that I'm working on drawings, it seems to be getting up to twelve hours a day.
Why so long ?
 Well here's what may happen
 For the next five days I will be drawing for anywhere from 10-12 hours a day. If the plans I am hatching (or attempting to hatch) succeed this is what is going to happen at the end of these five days. I will have about sixty of these drawings (see above) that I like and want to show together, I will also have sixty wooden frames to put them in (not plastic, never plastic, this is a quality operation) I currently have fifteen frames.
 Once I get the go ahead from the boys at the Press Club to hang the show I will head over on the first of April and hang as many of them as I can in the space then price them for the ridiculously low sum of $25.00 each or two for $40.00 (any advance sales for individual pictures will be handled as bid starting at $30.00) and then on Thursday April 3rd have a small opening for them from 7-9 before Ron Leary plays and sell them all off.
The money from this enterprise will be squirrelled away for the printing costs of  the "Homeless G-Men" and "Squirleycorn" comics in May 2015.
I think Hannibal ( as played by George Peppard) would approve, what was his last name?
Gird your loins for further announcements
A.Shay Hahn
 

Thursday, November 07, 2013

Flying Chairs and Sketch Notes

Here's a commission that I'm currently working on (sorry for the delay in posting a photo) placing the chairs is always the trickiest part, they have to look like they're moving together, almost like a flock but also each one needs a "role" to stand out, but compliment the overall composition.
That may not sound clear but it's what I think about as I decide the angle of each chair they also have to relate to the rowboat that will be on the right side of the piece.
It's thinking work - and it hurts my brain.
I'm also going to add some of my sketch pages to the blog as I work on some commissions, this is where the "Last Gorilla On The Moon" concept came from, I think it was around 2011 when I first thought about doing it. The "Red Queen" Note is completely lost from my memory - no idea what that painting was going to be about.
I'll be down at the Cameron House today from 4-7pm if you'd like to see the show, Corin Raymond should be performing so that's also a win for you.
I'll also be hanging a new large RAYGUN! at Snakes and Lattes today.
A.Shay Hahn
 

Monday, October 21, 2013

The Fragmentalist Interview

The Sisters
12x16 inches, acrylic on canvas
$160.00
Today the interview was posted on the Fragmentalist blog, once again many thanks to Natalie Jubb for taking the time to ask me about my work, the full interview can be read here
 
Above is the last of the three wheelbarrow/ghost pieces.
As always the Opening Reception is at the Cameron House from 6-9pm on Sat. Nov 2nd with music by the Rattlesnake Choir.
Feel free to scroll around the blog to see what I've been up to.
A.Shay Hahn

Wednesday, August 28, 2013

Girl With An Axe VS. RAY GUN!


Girl With An Axe 12x12 inches, acrylic on canvas $160.00
RAY GUN!, 12x16 inchces, acrylic on canvas $120.00
In today's Wednesday challenge over on face book, returning champion, "Girl With An Axe" was beaten by the new challenger RAY GUN! by a score of 6 to 4. RAY GUN! advances onto the next round, who will the challenger be? Man, I'm working on so many different things right now I don't even know.
Friday is the last day to see my work in the YUMart Group Show, "And the Living Is Easy" just scroll down on the blog to find the address.
Dang it's so humid out I can't even contemplate walking to the beer store
A.Shay Hahn
 

Thursday, August 22, 2013

The Cameron House, planning the invasion

I have over thirty four canvases planned for the November show at the Cameron House, this may be my biggest show yet. I've had a good few days/nights in the studio working off of sketches and references and things are really coming along nicely.
I have yet to finish anything, even the Axe Girl and Pitchfork Woman are not yet complete, I'm working on two or three pieces at a time, switching them out and working on two or three more. It's so crazy that I've started using some older canvases as palettes.
I've also received a few contacts for other work, commissions and designs, two of which were very interesting to me and two that would be impossible to fit into my schedule right now but hopefully could come back to in the spring.
It feels great to get busy again, if you have any questions I am always available at the address below.
It's time for a cold tinny of Beck's on the back porch
A.Shay Hahn
twitter @madcraftshoppe
facebook A.Shay Hahn (the mad craft shoppe)


we do not tolerate failure

Things have been going really well down in the studio, of course sometimes mistakes are made.
That's what Big Daddy Box Cutter is for.
A.Shay Hahn

Wednesday, August 21, 2013

Girl with an Axe VS. Woman with a Pitchfork

Girl with an Axe
Woman with a Pitchfork
12x12inches, acrylic on canvas
$160.00 each
Over on fb today I ran the first Wednesday Challenge, I used to do them once a week when preparing for shows and I thought it would be fun to bring them back. To participate you tag yourself in whichever photo you'd like to vote for. Today it was Girl with an Axe vs, Woman with a Pitchfork and the Axe painting won 8 votes to four.
The Axe painting will go onto the next round and the next challenger, you'll have to wait until next week to see who wins the contest.
cheers,
A.Shay Hahn

Tuesday, August 20, 2013

The Mask, The Pearls and the Muckity Technique


Sometimes things get a little stale in the studio and I need to shake it up in order to get my day started. Luckily I have a whole pile of 12x12's to play with so I'm not too worried about marking up a canvas and then hating what I've done, I can just move on.
To begin the muckity process I take two or three colours and then just rub them around, then take one of the colours and make a few lines, usually with my eyes closed. It's pretty self explanatory if you look at the first photo. Sometimes I get lucky and find an image right away and the second photo is what I ended up "pulling" out of one the canvases.
We'll see what comes out of the others.
A.Shay Hahn


Sunday, August 18, 2013

Flying hats, Chernobyl and Final Destinations

Working away down in the basement on a beautiful Sunday with on On Demand to keep me company and what poor company it is. I watch a lot of horror films, I love'em to bits I can't help myself, today I watched "Chernobyl Diaries" which is not a horror film, not at all, it's supposed to be, but there isn't a single scary movie in the film. I did like the mutated fish, but that was all. Also, if I recall correctly there were only two lines of dialogue in the whole film that were repeated over and over, "We have to get outta here." and "Have you seen Chris." please do not approach this film thinking you'll have the least bit of fun, you will not.
You will however have a great and gory time watching "Final Destination V" this franchise knows how to have a laugh and each film actually gets more gory and more funny than the last, so definitely drive straight past Chernobyl to your Final Destination, see what I did there ?
Okay onto Goseph Jordan Lovitz riding a bike.
A.Shay Hahn
follow on twitter @madcraftshoppe
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Friday, August 16, 2013

Studio Assistants, World View and the Amazing Spider Man



I bought four 30x30's awhile ago and some 30x40's I was in the mood to do some large work, but I didn't ever start anything, they have been sitting in the studio for months, with the show coming in November I figured that it was time to get back to them. I've always loved the two "World View" or globe pieces that I painted two or three years ago and wanted to do something new with them, as luck would have it I was asked by musician Jason Chesworth if he could use the above "the Painter's Assistants" for a digital ep he was releasing on band camp with some of the proceeds going to the Actor's Fund of Canada, we have many mutual friends from theatre so I figured why not, here's a link to the ep, check it out. http://jasonchesworth.bandcamp.com/ 
The top photo is my dog, who spent most of the day sleeping under my chair in the studio, it was hard not to move around too much and disturb him, but I managed it.
I've had two films playing today, the first, Men In Black 3 was fine if you like the series, I thought Josh Brolin did a great Tommy Lee Jones impersonation and of course enjoyed the supporting role by the brother from Orange Is the New Black,( I'm sorry Sir I don't have time to google your name), the movie itself wasn't that engaging, it followed the MIB formula to the letter with just certain plot changes (time travel! which they did nothing with) and a different villain, the very talented whatshisname from Flight of the Conchords, if you listen you'll hear him under the makeup.
I'm just winding up watching the Amazing Spiderman, the best choice they made was to keep Andrew Garfield and Emma Stone riffing together, they're great as Peter and Gwen Stacey, and of course it was great to see Dennis Leary and Martin Sheen but at two hours twenty minutes, it's way too long and because of this fact has no forward momentum what so ever.
It was very nice to see that Spider Man was created by Stan Lee AND Steve Ditko, because he was, two men created this great character, read all about it in the wonderful "Marvel Comics the Untold Story" by Sean Howe.
Alright back to it,
A.Shay Hahn


Thursday, August 15, 2013

Axe Women as the day goes/ Axe Women all night long

A.Shay Hahn

Axe Women, Flying Hats and the Late Night Easel


The late night easel, I'm doing double duty these days, trying to write the books or do notes and edits from eight in the morning until noon and then breaking and painting down in the studio until it's time to crash. Here's what's on the board right now (top left) beginning block in for a new Axe Girl, (top right) an old damaged flying hat painting that I'm using as a refresher for the new hats, (bottom left) current Axe Girl Block In and (bottom right) a dinged up canvas that I'm using as a palette. Behind this stuff is a large 18x36 that I hope to start blocking in on Friday.
I was going to take the rest of August just to write but I'd like to get a head start on twelve block ins just so I feel I won't be completely in the long grasses when September begins.
A.Shay Hahn


Monday, July 29, 2013

Laying In Some Stormy Skies


Before leaving for the cottage I had to do some painting, I had to push some mud around, I had been away from my easel for too long so I decided to grab some canvases and just lay in some skies. I don't usually work this way when painting, in fact its just the opposite the figures choose the colour of the skies whether stormy or clear, situated in a field or standing by the ocean, another painter once asked me if I had a studio full of paintings with skies painted on them and if I just plugged in the figures and I assured her that wasn't the case but this time since I had no sketches that I liked and just wanted to play with colour I decided to just do some block ins.
I was happy that my hands remembered what to do, it was a strange feeling not doing any painting, which I usually do every day unless I'm working on my books (see the Any How Town blog, right sidebar) and want to be outside writing.
I don't know what will happen on these canvases, I don't know what the figures will be doing or if I'll paint over these skies entirely, I just had to get something done with a brush.
It's also a strange feeling not having anything on display in Toronto, there are the murals at the Cameron House but since taking down my "permanent" wall at the Press Club all of my work is in the basement studio I'm not used to having so much of my work around me, it's getting a little crowded down there.
A.Shay Hahn

Monday, February 04, 2013

Andrew Shay Hahn don't type with glue on your fingers

Hey all, just wanted to post a process shot of the "Modern Times" inspired diorama, you can head over to the Any How Town blog to see the build in progress, read the tutorials on how it was built and also track the progress of my book series, "Any How Town".
Here's a bit of a history of the books.
It all began about five years ago when I wanted to produce a graphic novel, I had created a cast of teenaged characters who lived in a port town who were former soldiers. The era the GN was to be set in was somewhere in the1920's -1940's but with a steam punk approach, but I don't really like all of the associations with steam punk, it's not me, so I call it "farm punk", there are  no poofy blouses, these are soldiers, brawlers, farmers and sailors, they get their hands dirty.
I started writing and sketching for a good few months and posting character profiles as each player in the story was created. I wrote some short pieces and began mapping the history of the wars, the town itself and was happy with the backstory that I had created.
After a year of solid creation (while painting commissions, doing designs etc.) I was kind of stuck, I liked all the characters but I found that the tone was too dark, it was a little inaccessible, the dystopic stew was too thick. I let the stories rest for a while and went back to painting.
During this time I also began building the models that you can see at the AHT blog.
Since the vehicles and animals of AHT are different than ours I figured it would be helpful that when I had to draw the comic that I had the models to use, this was great fun and also very relaxing. I started to comb through Dollar Stores and assembling the three dimensional world of AHT.
One day while working I realized what I truly wanted to do with the series, I knew that writing, drawing and inking the books would be too large an undertaking for one guy and I would just write the books themselves.
The strongest realization came from the characters, there are many large clans and families in AHT and all the characters had younger brothers and sisters, so instead of focusing on the teens I switched to the younger citizens of AHT and a door opened in my head.
Any How Town is a crazy place full of eccentric characters and it was far more fun to introduce them through the eyes of kids - things really picked up steam for me. I started plotting the first series of four books and I got it down quick, it just poured out of me, I was beyond excited to start writing the books.
Last summer  I wrote the first book and most of the second and a third of the third book. I just sat down in the backyard of our house and I wrote them, I was shocked that all the work just lined up and spilled out for me. I sat under the shade of a tree (that tree has since died, long live the tree) and just wrote straight through the day and into dinner time.
Any How Town is a fun place, it's full of adventure, non stop discovery, ancient mysteries, chases, mutated animals, you name it, we've got it here. I want the series to be devoured, I want you to feel like you did when you first saw Indiana Jones, they are adventures made for the young, they are page turners, I am sure of it.  I've since plotted the fifth and sixth book which is a whole new story for our young heroes, I can't wait to get to it and see how our heroes have changed since we first meet them in Book One.
I have now finished the fourth draft of the first book and have begun searching for an agent, currently I am writing the second draft of the Second book and WILL have it finished in a third draft form by the end of February and hope to have secured an agent by that time.
I realized a few weeks ago that I am actually in the fifth year of the Five Year plan of Any How Town, it doesn't feel like it's been a long time that I've been creating the world, it feels right and that gives me great confidence.
so head on over to Any How Town and pay the folks a visit
A.Shay Hahn

Thursday, January 31, 2013

Large Scale Diorama Builds

I've been working pretty steadily on two new builds, one is inspired by the Hitchcock film "Life Boat" and the other by Charlie Chaplin's "Modern Times" and you can read all about them over at the Any How Town blog (see sidebar).
I spend a lot of time watching movies as I build, there's plenty of great ideas that come my way when doing this, the prison set of "the Green Mile" is of particular interest to me and I'm thinking that may be the next one that I begin. Once the "sets" are built the plan is to stage several series of photographs in them for eventual sale as prints.
My constant companion with me during this process is my loyal studio assistant pictured above.
During this time I'll still be taking orders for commissions but I also encourage you to have a look around the blog to see work that is for sale either directly from me or available at the Press Club (850 Dundas West Toronto).
enjoy that wicked wind,
A.Shay Hahn

Saturday, September 29, 2012

Twenty Five Bandit Children WIP



I'm crazy for balance when I hang a show, it's just something I have to do, having only one 18x24" piece for "popular/mechanics" was making me nuts, there always has to be more than one. Luckily I liked the title" Twenty Five Bandit Children" and decided to use that idea for another 18x24. Here's some of the block in so far, for what I have planned I have to paint the kids in first and then muck them up, it's a challenge but I am enjoying it.
A.Shay Hahn
for more on my work scroll down and have a look.

Tuesday, July 03, 2012

"Popular Mechanics" Picking the Palette



The first decision I made working on "Popular Mechanics" was a change in palette and for this show (obviously influenced by the lifejackets I've been painting for Red Fish restaurant) I chose, or rather, the colours chose, Deep Crimson, VanDyke brown, cadmium yellow medium, cadmium red, orange, yellow ochre and a new tone in the skies a strange mix of prussian blue, deep crimson, burnt umber and white that has really tied the "ground" colours together.
It is a "daytime" series, not alot of night time adventures for the hooded characters and puppeteers who are now ranging around a landscape that is more reminiscent of a farm or a battlefield than the river's edge or tall grasses that I've been setting my characters in for the past five years.
If you would like to see the work develop just log onto facebook and go to "Andrew Shay Hahn (the mad craft shoppe)" to see. I'm not going to post all the photos here, there are far too many process shots and it's easier to dump them in a fb album.
As I'm sitting working on the pieces one thought (and doubt) is at the forefront of my mind, that this isn't a show about my work - it's about being an artist and what it takes to advance as an artist, not staying in one place, changing things up and taking a few risks. I am very happy with this decision - the doubt is some people saying "I liked his other work better, etc" but there's no time for that. If you buy one of my pieces you are buying a piece by A.Shay Hahn, irregardless of colour, pose, props etc.
This is where my work is now - it's where it's supposed to be.
I'll be sure to let you know when the pieces are hung at Red Fish (expect the final two to be posted today or tomorrow) and as always please head to the Press Club (850 Dundas West) to see my work - all priced within the $80 - $140 dollar range (scroll down to see work on display).
send us an email
A.Shay Hahn
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@madcraftshoppe

Thursday, June 28, 2012

Popular Mechanics, work in progress for the Cameron House


Here's another process shot of a 20x20 that I'm working on for the November show at the Cameron House, so far we have Carnival Rides, puppet shows, screaming girls and control panels. It should be a very interesting show. I'm working differently this time out, I have image files that I've been filling for over two years for this show and want to use them to establish new elements of my visual language.
I love my Deep Sea Divers, Axe Women standing in stormy skies etc. but I want to expand the "world" and bring in new themes and approaches, to let the paint speak more than the image.
I'm having a great time with it so far.
To watch the work unfold simply join my facebook page Andrew Shay Hahn (the mad craft shoppe) and you'll be able to watch the work as it's being created.
A.Shay Hahn
follow on twitter
@madcraftshoppe