Wednesday, March 24, 2010
What I'm doing tomorrow
Friday, March 19, 2010
Things I'm Doing and Not Doing
** * Current Pricing, this is new and important, early prices for the work $260.00 unframed, prices will go up at the Cameron House Show in May, so buy now, pay less, buy later, pay more***
I have settled on "Come On Pilgrim" as the title for the show at the Cameron House in May, yes it is another Pixie's song title, yes, Frank Black is excellent at naming things (see, "the Crazies" post below). Why did I choose the title ? This I can answer, it's a new way of looking at these people who have been walking away from you since last June (see Tag, "Silver") , they are carrying things to a new place, they are transporting, light, wings etc. to another land, they are taking the most simple and important things and bringing them with them. I had started to do a piece with a suitcase full of trees, but it is giving me a Heck of a time, have to come back to it.
I have begun, slowly, to raise my prices, I did mention this a few posts ago, so what I'm doing is for the rest of this month, prices will be as listed here, and then start to go up, first the new work will have higher prices, any work that I display at functions will be price adjusted, so don't go by prices here if you're seeing the work somewhere else and finally when I hang the show in May I assume that I'll be bringing in some work from the Press Club Show, "the Wideawake Man" it will be price adjusted (^) then too, so the old prices of $120.00 for an unframed 12 x 12, $140.00 for a framed piece will be no longer available after this month. If you want anything at this price you must buy before the end of March. I need to make a living at this and have no choice, I sell a lot of work, I'd say I sell more "original" art (not prints or reproductions) than any other artist in this city (and I'm not exagerating, ask anyone) but I don't need to always feel like I'm a hustler. So take advantage while you can.
Here is a link to my current inspiration, Theatre Rusticle's, "Birnam Wood" all you need to know is there, this is why I have trees stuck in my head.
$10 performance of Birnam tonight, PWYC tomorrow @ 2:30, regular Friday. $10 and PWYC??!! http://www.artsboxoffice.ca
http://theatrerusticle.org/Theatre_Rusticle/Upcoming.html
Tuesday, March 16, 2010
The Multi Taskers
Friday, March 12, 2010
Untitled (the Hammer Team)
I'll write some thoughts about this on Monday, but it's the weekend and I'm taking some time away from thinking. The Cameron House is confirmed for May 2010.
A.Shay Hahn
Wednesday, March 10, 2010
Untitled (the Painter's Assistants)
Working hard on the second globe piece, so not much to say right now, may put this up at the Garrison tomorrow, will see what the reaction is.
happy birthday to me.
A.Shay Hahn
Friday, March 05, 2010
the alphabet shoppe, the other blog
Get your Brows here, both High and your Low
Thursday, March 04, 2010
The Thing About Working on a Large Scale
Prometheus commission
Here's a commissioned version of Prometheus that I am incredibly happy with, the client and I collaborated on the smaller details of the work, hair, location and she suggested the tiny plants that are around her feet called, "The Devil's Paintbrush" (a new favourite plant, how often does that happen?). There is a second piece that I worked on simultaneously to give another take on the woman carrying her buckets of fire, but it was not as successful, her pose made her look weak, this one is strong and regal. If I fix the other one I'll post it here - but I'm thrilled with this piece.
A.S.Hahn
Tern Art Supplies
A.S.Hahn
Small Towns/ The Gulliver Project
I'd started these small towns almost a year ago, there were two of each colour, conceived as pairs. As the months went on they remained unfinished here in the studio.
While I was going over some old sketches I came across notes and drawings of figures sleeping amongst the houses, I'd completely forgotten the notes, maybe that's why I hadn't shown them. I do love the Small Towns on their own and had wanted to continue playing with them to see what direction they could go in - to add something new to the image. I suppose at the time I'd started working on the series, "the Woman Who Slept" a series of four paintings of a woman sleeping in a row boat, this was the next extension. I'm working on one more and we'll see what the response is, I'm still tweaking the light on some of the above pieces, but they won't look radically different from their current state.
A.S.Hahn